唐代金器出手途径

使用微信扫描二维码分享朋友圈，成交更快更简单！

唐代是中国金器发展的繁荣鼎盛阶段。这一时期的金器不仅数量激增，品种丰富，而且其器形与装饰风格都发生了很大变化。在汲取域外因素并融合中国传统民族文化的基础上，形成了特的民族风格，尽显大唐风范。




鸳鸯莲瓣纹金碗为唐朝的文物碗锤击成型。侈口，圆唇，鼓腹，平底，喇叭形圈足。器身满饰珍珠地纹，腹部捶出双层仰莲瓣，上层莲瓣中分别錾鸳鸯、鹦鹉、鸿雁、鹳翎、鹿、狐、獐、兔、鸭等珍禽异兽;下层莲瓣内刻忍冬花草。碗内底刻宝相花。圈足饰方胜纹一周，内刻鼓翼云端的飞鸟一只及流云数朵，底沿以小联珠缀成。碗内壁有墨书重量 "九两三"(实际称重，为九两半)。制作精妙绝伦，富丽堂皇。


碗在唐代金银器中的数量很大，形制变化也颇多。主要有折腹碗、弧腹碗、多曲碗、带盖碗。大多数为银质，金碗很少，有名的当数这两件鸳鸯莲瓣纹金碗。在唐代，金碗有时还被用作酒器，如与鸳鸯莲瓣纹金碗同时出土的舞马衔杯纹皮囊式银壶上，舞马口衔之酒杯，就与金碗的形状相同。文献中也有唐代用金碗盛酒的记载。有学者认为应把鸳鸯莲瓣纹金碗看作饮酒之器。

金银器皿壁面捶揲出凸凹起伏的多瓣装饰，早起源于公元世纪地中海沿岸的希腊罗马，后来的西亚和中亚的金银器制作继承了这一风格。公元五世纪至六世纪，捶揲技术非常成熟的粟特银器中，就大量使用凸鼓的多瓣纹作为装饰。初期是瓣数较多水滴形的分瓣，后来又演变出桃形的分瓣。唐代，随着丝绸之路上东西方交往的密切，大量工艺精良的西方金银器的传入，尤其是许多粟特金银工匠进入内地，深刻地影响了中国金银加工工艺的发展。中国金银器皿上也接受了这种凸凹多瓣的作风。

唐代金器市场价值，汉通的丝绸之路，开拓了人们的视野，唐代坚持宽容、开放的治国方略，在古老的传统和外来文化影响的漩涡中寻找自己的前进的偏向。胡人与骆驼的大量泛起，反映了对丝路商业的重视已不是和统治占的崇尚，丝路商业、对外开拓的精神成为社会普遍的追求。到了唐代，泛起了“九天阊阖开宫殿，万国衣冠拜冕旒”的盛况，首都长安已犹如天下的大阛阓，举行着谢幕的国际博览会，改变了人与人的关系和差异文化之间的关系。
　　同时中国古代的人们对于金、银所具有的神秘看法，汉代方士以为“金、银为食器可得不死”，到了唐朝这种看法更为盛行，同时为了统治对金银器皿的占，唐代统治者又把金银器皿的使用和社会品级看法予以团结，《唐律疏征》中划定：“器物者，一品以下，食器不得用”；神农二年(公元706年)进一步强调“诸一品以下，食器不得用浑金玉，六品以下不得用浑银”，在这样的划定下，金银器不折不扣地成为其时人们身份的象征和标志，并延续至今。艺术家把它们作为细腻艺术的加工质料，商人和珍藏家把它当成财富，金银的价值看法早已深入人们的灵魂深处，并潜移默化地改变着人们的头脑方式和行为方式。

深圳市梵高艺术品展览服务有限公司从事古董古玩艺术收藏品相关交流交易。卓立推出古董卖家会所，海外艺术品收藏投资展览中心，联合迪拜，美国，德国，英国，新加坡，台湾，澳门等地众多大型拍卖机构，为中国艺术收藏品爱好者提供了一个集展览，拍卖，评估和销售的艺术品交易平台。规范化的操作和国际化的管理，能够为海内外朋友提供热情、、全面、周密的服务。如果你有藏品要出手？请咨询征集部尚经理：177 3088 2710（电话/同步）
地址：深圳市南山区西丽街道同沙路168号凯达尔集团A座2206

The Tang Dynasty was a prosperous and prosperous period for the development of Chinese gold wares. During this period, gold wares not only proliferated in number and variety, but also changed greatly in shape and decoration style. On the basis of absorbing foreign factors and integrating Chinese traditional national culture, it has formed a unique national style, which shows Datang style.
The mandarin duck lotus petal pattern gold bowl was hammered into shape for the Tang Dynasty cultural relic bowl. A tiny mouth, round lips, bulging belly, flat bottom, trumpet-shaped ring foot. The body is decorated with pearls, and the belly beats out a double-layer upturned lotus petal. The upper lotus petal carves rare birds and animals such as mandarin duck, parrot, swan goose, stork plume, deer, fox, roe, rabbit, duck, etc. The lower lotus petals are carved with honeysuckle flowers and plants. The bottom of the bowl is carved with precious flowers. A circle of feet adorns the Fang Shengwen, with one bird and several floating clouds carved into the clouds, and the bottom edge is decorated with small beads. On the inner wall of the bowl is the ink book weight of " 923" (actually weighing, it is two and a half). The production is exquisite and magnificent.


There were a large number of bowls in the gold and silver wares of the Tang Dynasty and many changes in their shapes. There are mainly folding bowl, arc bowl, multi-curved bowl, bowl with lid. Most of them are silver and there are few gold bowls. The most famous is the two mandarin ducks with lotus petals. In the Tang Dynasty, gold bowls were sometimes used as wine vessels. For example, on the cup-shaped leather-covered silver jug with dancing horse's bit unearthed at the same time as the mandarin duck lotus-petal-shaped gold bowl, the cup with dancing horse's bit was the same shape as the gold bowl. There are also records in the literature about the use of golden bowls to hold wine in the Tang Dynasty. Some scholars believe that the mandarin duck and lotus petal-shaped golden bowl should be regarded as a drinking vessel.

The wall of the gold and silver vessel was decorated with many pieces of undulating decoration, which originated in Greece and Rome along the Mediterranean coast in the 6th century BC, and later the gold and silver wares in West and Central Asia inherited this style. From the 5th century to the 6th century a.d., in millet silverware with very mature beating techniques, a large number of raised drum patterns were used as decorations. At the beginning, it was a teardrop-shaped valve with a large number of valves, and later it evolved into a peach-shaped valve. In the Tang Dynasty, with the close contact between East and West along the Silk Road, a large number of well-made Western gold and silver wares were introduced, especially many millet gold and silver artisans who entered the mainland, which profoundly affected the development of China's gold and silver processing technology. China's gold and silver vessels have also accepted this style of convexo-concave and multi-petal.

The market value of gold wares in the Tang Dynasty and the Silk Road between Han and Tong opened up people's horizons. The Tang Dynasty adhered to a tolerant and open policy of governing the country and sought its own way forward in the whirlpool of ancient traditions and foreign cultural influences. The large number of Hu people and camels reflects that the emphasis on Silk Road commerce is no longer exclusive to the ruling class. Silk Road commerce and the spirit of opening up to the outside world have become the common pursuit of the society. In the Tang Dynasty, the grand occasion of " heaven's nine doors reveal the palace and its courtyards and and the coats of many countries bow to the Pearl Crown" appeared. Chang 'an, the capital city, has become a big market in the world, holding an international exposition that never ends, changing the relationship between people and the relationship between different cultures.
At the same time, the ancient Chinese people had a mysterious view of gold and silver. The alchemists of the Han Dynasty thought that " gold and silver can be eaten without death". This view became more prevalent in the Tang Dynasty. At the same time, in order to ensure the ruling class's monopoly on gold and silver vessels, the rulers of the Tang Dynasty united the use of gold and silver vessels with the view of social grade. In " Tang Law Shu Zheng", it was stipulated that " gold is not allowed to be used for eating utensils below one grade". Shennong further emphasized in the second year (706 a.d.) that " no muddy gold or jade shall be used for food utensils under the first grade, and no muddy silver shall be used under the sixth grade". under such a designation, gold and silver became the symbol and symbol of people's identity at that time, and it continues to this day. Artists regard them as the processing materials of fine arts, businessmen and collectors regard them as wealth, and the value of gold and silver has long gone deep into people's souls and subtly changed people's mind and behavior.

Shenzhen Van Gogh Art Exhibition Service Co., Ltd. specializes in the exchange of antique and antique art collections. Zoellick has launched a high-end antique seller's club, an overseas art collection investment exhibition center, and a large number of high-quality auction organizations in Dubai, the United States, Germany, the United Kingdom, Singapore, Taiwan, Macao and other places, providing an art trading platform for Chinese art collection lovers to collect, auction, evaluate and sell art. Standardized operation and internationalized management can provide warm, professional, comprehensive and thorough services to friends at home and abroad. If you have a collection to sell? Please consult Shang manager of the solicitation department: 177 3088 2710 (phone/wechat synchronization)
Address: 2206, Block A, Kedar Group, 168 Tongsha Road, Xili Street, Nanshan District, Shenzhen