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香港温斯顿国际拍卖行：秋拍藏品征集专线。大型拍卖会与您相约

　　永乐为中国明朝第三位皇帝明成祖朱棣的年号（1403-1424），始于1403年（永乐元年），至1424年（永乐二十二年），共22年。永乐年间，国家经济与社会得到进一步巩固和发展，全国统一形势更加拓展和稳固，国力达到鼎盛，百姓安乐。

　　明朝的永宣时期是中国瓷业走向全盛的辉煌时期，这与明初解除禁海令、“帝王居中、抚驾万国”的积极对外政策有关。值得一提的是郑和远航带回的瓷绘原料“苏泥勃青”直接用于青花瓷的烧制，提高了青花瓷的品质，直接推动了瓷业的发展。“苏麻离青”这种钴料出产于波斯伊朗一带，是当时阿拉伯商人与郑和进行贸易的物品。这种瓷绘原料在郑和7次下西洋之后便销声匿迹，如今已成为鉴定这一时期瓷器特征的标准。所以说，永宣青花瓷在发色上的成就以及明初瓷器的辉煌与郑和有着直接的关系，也是伊斯兰文化影响中国瓷器的实例。

　　明永乐 青花四季花卉纹扁壶

　　

　　青花四季花卉纹扁壶是明永乐时期所特有的、极为的代表作。器身呈扁圆状，口微侈，粗颈，溜肩，硕腹，椭圆形圈足，底足内有釉。胎质细腻纯净，白釉微泛青色，釉面有冰裂纹开片。口沿饰卷草纹，颈部饰缠枝花卉，壶身饰缠枝四季花卉。青花用料为苏泥勃青，因有“渗青”、“散浑”之特性，青色鲜艳，偶因渗青而有浓暗斑点，有水墨画之风韵，加以运笔潇洒，气势凌然，在黑色结晶斑映衬下，彰显出色泽清晰明快的特点。

　　Blue and white flower pattern flat pot is a unique and rare representative work in Yongle period of Ming Dynasty. The body is flat and round, slightly luxurious in mouth, thick neck, shoulder slippage, large belly, oval ring foot, glazed inside the sole foot. The matrix is delicate and pure, the white glaze is slightly cyan, and there are ice cracks on the glaze surface. The mouth is decorated with curly grass pattern, the neck is decorated with twisted flowers, and the pot body is decorated with twisted flowers all the year round. Blue and white materials for Su Nibuqing, because of the "seepage" and "scattered" characteristics, bright blue, occasionally because of seepage and dark spots, there is the charm of ink painting, to be handsome and elegant, momentum, in contrast to the black crystal spots, highlighting the bright and clear characteristics.

　　明永乐 青花缠枝牡丹纹净水瓶

　　

　　青花缠枝牡丹纹净水瓶，高足造型特繁丽，耀眼夺目，为永乐一朝之稀珍，数世纪后，其祥瑞寓意，更得乾隆帝敬仰赏爱。净水瓶非日常使用之器，于宫廷中亦仅作礼器之用，惟可见于少数重大祭典场合，其造形大异于当朝茶酒执壶，树一格，历代瓷器中罕有能与其聘美者。塑造如此特器形，窄颈宽腹，细流纤长笔挺，需瓷人巧心熟技，反映永乐朝景德镇御窑造瓷水平之精妙高超，然烧造成功者，为数鲜少，包含此瓶仅三例存世，均为永乐青花御瓷。

　　Blue and white twisted branch Peony pattern water bottle, unique and magnificent high-foot shape, dazzling, for the Yongle Dynasty's rare, centuries later, its auspicious implication, more respected and respected by Emperor Qianlong. Water bottles are not used in daily life and are only used as ceremonial utensils in the palace. They can only be seen in a few important ceremonial occasions. Their shape is quite different from that of tea and wine pots in the dynasty. They have a unique style. Few pottery in the past dynasties can employ beauty. Such a unique shape, narrow neck, wide abdomen, slender, long and straight brush, requires the skillful skill of the porcelain people, reflecting the exquisite level of the Yongle Chaojingdezhen imperial kiln porcelain, but the number of successful firing, including only three cases of this bottle survived, are Yongle blue and white imperial porcelain.

　　净水瓶器形原应取材金属器，其来源仍备受学术界讨论，一说近似水烟筒下部，然烟筒内部藏输烟管，以水滤烟，净水瓶流接合器身下部，内部结构明显不同。另说应类长颈净瓶之用，惟传统净瓶长颈纤纤，不似净水瓶有流，仅以瓶口作为开口，控制固定出水量。净水瓶高足细流，流口沿环饰类同金属器制，永乐瓷虽大量取材各式中东金属器形，且可见类同中东细流瓶器，仍无完全比例相同亦无持把之例。器形相近者，年代略晚之印度金属水瓶，无持把用以持壶就口饮水，而口不需接触壶嘴。

　　The shape of the water bottle should be made of metal articles. Its origin is still discussed by the academic circles. First, it is similar to the lower part of the water chimney. However, the internal structure of the smoke pipe is obviously different from that of the lower part of the flow adapter body of the water bottle. In addition, it should be used for long-necked bottles, but traditional bottles with long-necked fibers are not as flowing as water bottles. Only the bottle mouth is used as the only opening to control the fixed water output. Although Yongle Porcelain takes a large amount of materials from all kinds of Middle Eastern metal vessels and can be seen to be similar to Middle Eastern Fine Flow Bottles, there is no complete proportion of the same and no case of control. Similar in shape, only the Indian metal water bottle of a little later age, without a handle to hold the pot, and mouth does not need to touch the mouth of the pot.

　　明永乐 青花瑞果纹梅瓶

　　明永乐 青花瑞果纹梅瓶

　　

　　小口卷边，短颈，丰肩，敛腹，浅圈足。通体青花纹饰，肩上绘莲瓣一周，腹饰上下两层折枝花果纹饰，上层为桃、石榴、海棠，下层为樱桃、枇杷、荔枝。近足处饰蕉叶纹，花纹间加青线。青花呈色浓艳，有深蓝色结晶斑，线条略为晕散。盖子为明末制品。

　　Small mouth curling, short neck, abundant shoulder, abdominal convergence, shallow circle foot. Blue and white decoration, shoulder painting lotus petals for a week, abdominal decoration upper and lower two layers of broken branches flower and fruit decoration, the upper layer is peach, pomegranate, crabapple, the lower layer is cherry, loquat, litchi. Near the foot, banana leaves are decorated with green lines between the patterns. Blue and white are rich in color, with dark blue crystal spots and slightly dizzy lines. The lid was made in the late Ming Dynasty.

　　明永乐 青花折枝瑞果纹梅瓶

　　

　　短颈圆唇，弧肩丰盈，下腹渐敛。青花绘寿桃、石榴、山楂、荔枝、枇杷、樱桃六组折枝果纹，写生淡雅，花实饱满，枝叶茂密。肩足分别画俯莲及仰叶纹。底涩胎不施釉。

　　文章由温斯顿拍卖高生撰写，艺术品fuxi527。

　　Short neck, round lip, abundant arc shoulder, convergence of lower abdomen. Blue-and-white painted longevity peach, pomegranate, hawthorn, litchi, loquat, cherry six groups of broken fruit patterns, elegant sketch, full flowers, dense branches and leaves. Shoulder and foot painted prone lotus and elevated leaf pattern respectively. No glaze is applied to the astringent fetus.